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When Creators, Corporations and Consumers Collide: Napster and the Development of On-line Music DistributionFordham University, New York, NY, USA mccourt{at}fordham.edu
Texas A&M University, College Station, TX, USA patrick{at}burkart.org The Internet is often depicted as the ultimate arena for unfettered capitalism, erasing geographic boundaries and barriers to entry while providing a plethora of goods and services to consumers. This article traces how public and private reactions by the five major record companies to new Internet distribution technologies have undermined this popular myth. We use a political economic approach to examine the case of A&M Records et al. v. Napster, and discuss how this case underscores the importance of controlling the Internet as an entertainment distribution pipeline. Expressed concerns about piracy mask the actual intentions of the `Big Five' - control of all modes of distribution. The strength of the Big Five's cartel has a momentum of its own based in its market oligopoly, which has been secured through its ownership and management of intellectual property; through format changes and setting standards for other technologies; and through lobbying and legal activities.
Key Words: digital rights management • Digital Millennium Copyright Act • MP3 • Napster • peer-to-peer • RIAA • SDMI
Media, Culture & Society, Vol. 25, No. 3,
333-350 (2003) This article has been cited by other articles:
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